Adjust angles and block lightīlocking your light source is an easy way to avoid sun lens flare. Better quality prime lenses are a safer option if flare is a concern.įor a deep dive, check out our guide about choosing camera lenses. While zooms are extremely convenient and offer a wide range of focal lengths, the complex system of many elements moving back and forth can cause tons of flare when extra light enters. But prime lenses are considerably less susceptible to camera flare than zoom lenses. Of course, you can get camera flare with any lens. In that case, you can try using your hand to shield the lens from the sun’s rays. History of Everything: 1998–2003, 2003, Tate Modern, London Venice Biennial 2007-52nd International Art Exhibition, 2007, Venice, Italy and Sigmar Polke: Photographs 1968–1972, 2007, Getty Museum, Los Angeles.Side note: If you’re using filters on your lens, a lens hood may not fit over it. ![]() Sigmar Polke: Works on Paper 1963–1974, 1999, The Museum of Modern Art, New York Sigmar Polke. Selected solo exhibitions include Sigmar Polke, 1996, Corcoran Gallery of Art, Washington, D.C. Polke was honored with the “Golden Lion” at the XLII Biennale di Venezia in 1986, the 1987 Lichtwark Prize in Hamburg, Germany, and the 1994 Erasmus Prize in Amsterdam. He was awarded the Young Germans award in 1964 and received the prize for painting at the XIII Bienal de Sao Paulo in 1975. He studied at the Düsseldorf Art Academy under Karl Otto Goetz and Gerhard Hoehme. Polke currently lives and works in Cologne, Germany. Polke’s unconventional style has been enhanced through his use of multi-layered surfaces and the use of household materials, chemicals (arsenic, iron oxide), and lacquer. Their relationship was a building block of Polke’s early affinity for routinely changing the rules by which he painted. Polke, along with fellow artist and countryman Gerhard Richter, is credited with the creation of “Kapitalistischen Realismus” (Capitalist Realism), the German version of American Pop Art, initiated during the opening of the 1963 exhibition Demonstrative Ausstellung in Düsseldorf. A full-color catalogue with an essay by Chrissie Iles, Anne & Joel Ehrenkranz Curator of Contemporary Art at the Whitney Museum of American Art, New York, is available. The exhibition is traveling from Galerie Michael Werner, Berlin (1 November–20 December 2008) and continuing to Michael Werner Gallery, New York (29 April–29 June 2009). The twenty-four Lens Paintings, and ten new paintings from Polke’s studio, are being shown for the first time outside of Siegen, Germany. This painted “lens” generates a variety of distortions, mutations, and spatial illusions when seen from different viewpoints. This led Polke to devise a system to create, in paint, a corrugated, refractive surface that mimics an industrially manufactured lenticular lens. Lit from behind, the grooved surfaces of these light boxes changed as one moved past them. ![]() Polke’s interest in this idea was first manifest in the artist’s commission for the reopening of the Reichstag in Berlin, for which he created a series of large lenticular images. According to Zahn, every luminous object in the universe varies in appearance depending on the viewer’s position. Zahn, a monk in the Premonstrate Order, was a leading figure in the development of the camera obscura, and his “teledioptric artificial eye,” was a precursor to the telephoto lens. The conceptual framework of these paintings is found in theories set forth by Johann Zahn in his 1658 book, Oculus artificialis teledioptricus, sive telescopium (The Teledioptric Artificial Eye, or Telescope). The Lens Paintings signal a new phase of development for an artist whose career is characterized by over 40 years of radically inventive painting. 1941, Oels/Schlesien, East Germany) is one of the most important artists of the post-war generation. The award is given every five years to a European painter with significant achievements and ties to the community. ![]() Polke is the 11th recipient of the prize begun in 1955 in recognition of the Flemish painter and Siegen native Peter Paul Rubens (1577–1640). The paintings were first exhibited at the Museum für Gegenwartskunst in Siegen, Germany on the occasion of the Rubens Prize in 2007. The Arts Club of Chicago is pleased to announce the exhibition Sigmar Polke: Lens Paintings.
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